Friday, January 13, 2012

Bernard Faure - The Rhetoric of Immediacy: A Cultural Critique of Chan/Zen Buddhism


Bernard Faure, The Rhetoric of Immediacy: A Cultural Critique of Chan/ Zen Buddhism
Princeton University Press, 1994.
I really like this one book review summary of Faure’s Rhetoric of Immediacy, it goes: Bernard Faure’s encyclopedic study of the rhetoric of immediacy and the reality of mediation in the Chan/Zen tradition suffers from lapses and its own rhetorical excesses, but succeeds in conveying the ‘essential undecidability of Chan,’ as manifested in deeds and words through the centuries in China and Japan (Stuart Sargent, Journal of the American Oriental Society, Vol. 116, No. 1 (Jan. - Mar., 1996), pp. 77-84).” More useful, though, is Princeton Professor of Religion Stephen Teiser’s review from January 1994 edition of The Journal of Religion, in which he writes first about how this book of Faure’s builds off of his previous four books, and also how it takes his work in a new direction by offering “the best narration in English of the role that magicians, healers, jesters, relics, mummies, dreams, funerals, deities, and mundane rituals play in a tradition that lays claim to emptiness” and secondly, in how it is “conceived in a style that owes as much to Pierre Bourdieu, Michel de Certeau, and Jacques Derrida as to any figure within the tradition itself (Teiser, 137).” And that’s basically the point so far as I see it. To be honest, I really only skimmed stuff after the introduction because I am 99.9% certain that the point of us reading this book for this exam is to consider the implications of his methodology, and while the chapters that implement that methodology are interesting, I’m sure that what we are supposed to think most about is how he articulates his method, and he does that very explicitly in the introduction. So, I’m going to go through the introduction (er, “Prologue” it’s called here, actually) carefully, and I will email out the reviews that I read, and will hope that is adequate.
Key Terms: Chan/Zen, Buddhism, Deconstruction, de Certeau, Bourdieu, Immediacy, Methodological Pluralism, History, Difference, Orthodoxy/ Heterodoxy
Okay, first, immediacy. This should be familiar (enough for our purposes here, at least) from what we read in the Transmission class, but Faure sums it up nicely by explaining that, “the gradual/ sudden paradigm, which functions as the matrix of the Chan/Zen tradition, can be seen as a dialectical tension between mediate and immediate understanding (Faure, 4).” In this tension, Faure sees a mirroring of tensions in scholarship about Chan/ Zen and argues that, “in order to deconstruct the tradition, that is, to reveal it in its essential multiplicity, one has to fight against the teleological tendencies of controlled narrative and to give up at least some authorial privileges (Faure, 4). So, deconstruction here is given a clear definition, to reveal the tradition in its essential multiplicity. And a scholar seeking to deconstruct the tradition must fight the desire to control the outcome of her study, much as a monk might need to give up control of his practice as well.
Faure frames such an approach as a way of answering to Edward Said’s work’s challenge to scholarship about “The East.” He says that, “this transferential relationship between the scholar and the Chan tradition that he or she studies [which I read as meaning that the practice of the scholar is related to the practice s/he studies] may help us then to answer the fundamental question raised by Edward Said and others: namely, how to understand other cultures and religions (Faure, 5).” Faure wants to argue that “the gap between two cultures might be less insuperable than the critics of Orientalism [the kind critiqued by Said, not Said’s] have led us to believe” but that “the gaps within a ‘vital’ tradition might be wider than they seem, to the point of leading to what François Lyotard calls a différend, that is, ‘a conflict between [at least] two parties, that cannot be equitably resolved for lack of a rule or judgment applicable to both arguments (Lyotard, The Differend: Phrases in Dispute. 1988.) (Faure, 5).” Essentially, I understand this to mean that Faure is less interested in what might divide East from West, as that which may form divisions within traditions themselves. In particular, of course, Chan/Zen. Thus, a scholarly approach that is invested in revealing and understanding difference and multiplicity (deconstruction) is well suited to studying differences within the Chan/Zen tradition. He expands his analysis and explains that,
Writing of (and about) Chan is necessarily a dual activity, an intertwining of two tendencies: it represents or reproduces more or less truthfully certain ideas or movements of thought, thus aiming at transparency; but it is also an act that produces new thoughts and creates an opaque reality. Whatever its author may say, a book is not merely an image of the world, ‘a mirror carried along a path,’ as Stendhal said of the novel; it is another world. (See Deleuze and Guattari, On the Line, 1983, p.5.) Hence the necessity of complementary approaches: hermeneutical/ structural and performative/semiological; the incessant to-and-fro movement between the seriousness of meaning and the ‘pleasure of the text,’ between commentary and rhetoric, between koan and ‘capping phrase’ (jakugo) (Faure, 6).
Note the parallel use of theoretical and “religious” language he uses, this is what is meant by “writing of and about” this tradition in this way.
Faure sees another parallel between Chan/Zen and the way that they are studied, the tensions and divisions drawn between orthodoxy and heterodoxy. He says that the “exclusions that constitute the field of Chan/Zen studies appear to be a replication of those that organized Chan/ Zen as a single orthodoxy. Heterodox tendencies were repressed and/or relegated to the periphery (Faure, 7).” The lines drawn within Chan/Zen on right practice are “replicated” in the lines drawn between right and wrong ways of studying the tradition. Faure continues,
The elements suppressed or repressed at the core, however, either reappeared at the periphery as the ‘others’ on the margins of Chan (i.e., ‘popular religion,’ scholasticism, ritualism, gradualism), or they reinvested and subverted the tradition from inside. If one of the contexts of Chan is indeed popular religion, then we are reminded of Derrida’s remark that ‘context is always at work within the place, and not only around it.’ (Derrida, Limited Inc., 1988, p.198.). Thus the dialectic between pluralistic or ‘inclusive’ Chan and sectarian or ‘exclusive’ Chan is perhaps replicated by that between pluralistic methodology and ‘pure’ scholarship. Faure, 7
Scholarship should respect the multiplicity of its subject with methods that are, themselves, pluralistic. Arguments for pure scholarship deny difference in the same way that orthodoxy represses it. Or, as Faure puts it, “Just as Chan orthodoxy repressed syncretism, scholarly orthodoxy, based on the law of the genre, tends to reject the mixing of genres (Faure, 7). I, for one, find this argument very attractive, that an organic understanding of the multiplicity of a subject can produce a similarly pluralistic scholarly practice. Faure says that in undertaking such a project in such a way, that he hopes he has “avoided the kind of ‘accumulation without reworking’ criticized by Angenot and reached something closer to what Weber called pantheism or a ‘polytheism of values’ – a notion that implies ‘not peaceful coexistence but a Homeric battlefield, in which ‘different gods struggle with one another, now and for all times to come (Jameson, The Ideologies of Theory, 1988: 2:11) (Faure, 8).’’
Faure ultimately ends up calling his approach methodological pluralism, which he says, here means, “an attempt to mediate between – or rather hold together – conflicting approaches such as the hermeneutical and the rhetorical, the structural(ist) and the historical, the ‘theological’ and the ideological/cultural (Faure, 9).” He explains that his research,
remains structural inasmuch as I attempt to bring out mental structures, whether these structures turn out to be ‘long-term prisons’ or patterns of a certain freedom, and to show how various levels of Chan practice and doctrine are structured by a few paradigms such as mediacy/ immediacy, sudden/ gradual, center/ margins, orthodoxy/heterodoxy, hermeneutics/rhetoric, description/prescription, communication/performance (Faure, 9).
He insists, though, that he considers himself an historian of Chan/Zen (Faure, 9) and that he is inclined, “to believe that intellectual history may be the history of variations on a few paradigms or metaphors (Faure, 9).” He then explains how this methodology manifests in the book’s structure by telling the reader that,
This multiplicity of purposes is reflected at the microlevel by a perhaps disconcerting oscillation between contradictory statements, and at the same macrolevel by the division of the books into two parts, or rather, two levels, the first one (Chapters 1 through 4) dealing with the general epistemological and ideological constraints resulting from the Chan/Zen dialectic of mediacy and immediacy, and the second (Chapters 5 through 13) examining various examples of this oscillation or agonistic tradition (Faure, 9).
Again, while these chapters may be very interesting for scholars of Chan/Zen, for our purposes I really do think that it is Faure’s wager that one should match methodology to subject, and that, specifically, French structural and post-structural/ deconstructionist thought best matches Chan/Zen (again, note the emphasis on difference à la de Certeau).

Thursday, January 12, 2012

Talal Asad - The Idea of An Anthropology of Islam


Talal Asad, “The Idea of an Anthropology of Islam,” originally published in 1986 as part of the Occasional Paper Series sponsored b the Center for Contemporary Arab Studies at Georgetown University. Republished in 2009 by the journal Qui Parle, in Vol. 17, No. 2 (Spring/ Summer), pp. 1-30. Page numbers here will correspond to the Qui Parle version.
Key Terms: Discursive Tradition, Geertz, Gellner, Anthropology, Islam, Discourse, Tradition, Orientalism, History
When I finished reading Talal Asad’s essay, “The Idea of an Anthropology of Islam,” I turned back to the front page and wrote in big, capital letters across it, “What is at stake are the conditions of the possible questions it is possible to ask” and “DISCURSIVE TRADITION.” That is the basic take away, those two things. But I’ll go into at least a little more depth for everyone’s benefit.
Part I.
Asad opens by saying that there seem to be three answers commonly given to the question “ “What, exactly, is the anthropology of Islam? What is its object of investigation?” They are:
1. that in the final analysis there is no such theoretical object as Islam
2. that Islam is the anthropologist’s label for a heterogeneous collection of items, each of which has been designated Islamic by informants
and 3. that Islam is a distinctive historical totality which organizes various aspects of social life.
He tells us that he will look briefly at the first two answers, but really, it is the third that is the most interesting and important to examine, and so, it is where the essay’s attention will focus. The answer to the third question which answers him most is Ernest Gellner’s book Muslim Society. Gellner, you may remember, along with Geertz who also gets a good talking to in this piece, was the main target of the Asad we read for class in Genealogies of Religion. In Muslim Society, Asad says “an anthropological model is presented of the characteristic ways in which social structure, religious belief, and political behaviour interact with each other in an Islamic society (Asad, 3).” Asad’s object in reading Gellner’s book is not to assess the book itself, but, he says, “to extract theoretical problems that must be examined by anyone who wishes to write an anthropology of Islam (Asad, 3).”
Part II:
There’s some really great discussion of comparison in this part of the essay. Asad’s main points about it being that he does not have anything “in principle against comparisons between Christian and Muslim histories” but that it is necessary to “go beyond drawing parallels… and attempt a systematic exploration of differences (Asad, 5).” This is also a point that will repeat throughout the piece.
He goes on to argue that in comparing Islamic and Christian histories, scholars ought “to be looking for institutional conditions for the production of various social knowledge. What was regarded as worth recording about ‘other’ beliefs and customs? By whom was it recorded? In which social project were the records used? (Asad, 6).” Asad defends the importance of such inquiry on the grounds that, “forms of interest in the production of knowledge are intrinsic to various structures of power, and they differ not according to the essential character of Islam and Christianity, but according to historically changing systems of discipline (Asad, 7).” Foucault in action, ladies and gentlemen. The task of anthropologists, Asad, concludes, is thus, to find concepts that are more appropriate for describing differences (Asad, 7).”
Part III:
First of all, a good point worth repeating, which is that “the argument here is not against the attempt to generalize about Islam, but against the manner in which that generalization is undertaken (Asad, 7).” Again, the terms of description, the way the questions are asked.
So now, Geertz and Gellner. Asad is very much concerned with the way they write their books about Muslims, the style of their texts. In reading them, he asks,
What are the discursive styles employed here to represent (a) the historical variations in Islamic political structure, and (b) the different forms of Islamic religion linked to the latter? What kinds of questions do these styles deflect us from considering? What concepts do we need to develop as anthropologists in order pursue those very different kinds of questions in a viable manner (Asad, 10)?
He then immediately lists the following “interconnected points” which all bear quoting in full:
(1). Narratives about culturally distinctive actors must try to translate and represent the historically situated discourses of such actors as responses to the discourse of others, instead of schematizing and de-historicizing their actions.
(2) Anthropological analyses of the social structure should focus not on typical actors but on the changing patterns of institutional relations and conditions (especially those we call political economies).
(3) The analysis of Middle Eastern political economies and the representation of Islamic ‘dramas’ are essentially different kinds of discursive exercises that cannot be substituted for each other, although they can be significantly embedded in the same narrative, precisely because they are discourses.
(4) It is wrong to represent types of Islam as being correlated with types of social structure, on the implicit analogy with (ideological) superstructure and (social) base.
(5) Islam as the object of anthropological understanding should be approached as a discursive tradition that connects variously with the formation of moral selves, the manipulation of populations (or resistance to it), and the production of appropriate knowledges (Asad, 10).
These are clearly all important for anyone thinking about anthropology as it should be, and the fifth point seems to me to be especially salient and useful for everyone. It also introduces the concept at the center of the essay, “discursive tradition” about which more will be said.
Asad soon makes another point that struck me as especially important. He says that “Gellner’s Islamic actors do not speak, they do not think, they behave (Asad, 11).” This made me think of something I recently saw Chris Rock say on a program about comedy, where he was having a conversation with Jerry Seinfeld, Ricky Gervais and Louis C.K. Rock said that his rule for making fun of people was that he made jokes about what they did not what they were. It seems to me that both Chris Rock and Talal Asad are making the same point here, which is that drawing a conclusive line between what someone does and what someone is the problem.
Thus, Asad concludes this section of the essay by saying that, it is only when the anthropologist takes historically defined discourses seriously, and especially the way they constitute events, that questions can be asked about the conditions in which Muslim rulers and subjects might have responded variously to authority, to physical force, to persuasion, or simply to habit (Asad, 12).”
Part V:
An interesting part here on the term “tribes.” Asad writes that,
‘tribes’ are no more to be regarded as agents than ‘discursive structures’ or ‘societies’ are. They are historical structures in terms of which the limits and possibilities of people’s lives are realized. This does not mean that ‘tribes’ are less real than the individuals who comprise them, but only that vocabulary of motives, behavior, and utterances does not belong, strictly speaking, in analytic accounts whose principal object is ‘tribe,’ although such accounts can be embedded in narratives of agency (Asad, 14).
This is a good example of how Asad reads the terms used by anthropologists and what he means by discourse. He offers that instead, “We shall then write not about an essential Islamic social structure, but about historical formations in the Middle East whose elements are never fully integrated, and never bounded by the geographical limits of “the Middle East (Asad, 15).” He drives this last point home and says that, “It is too often forgotten that ‘the world of Islam’ is a concept for organizing historical narratives, not the name for a self-contained collective agent. … the integrity of the world of Islam is essentially ideological, a discursive representation (Asad, 15).”
Part VI:
Here Asad states his argument very clearly, he says, “my argument is that if the anthropologist seeks to understand religion by placing it conceptually in its social context, then the way in which that social context is described must affect the understanding of religion (Asad, 16).” I think that he wrote that line because he knew that in twenty-five years we were going to need a little kernel of a line to remember going in to our exam. I’m pretty sure I’m right. Oh, but he goes on, he says, “the anthropologist’s presentation of Islam will depend not only on the way in which social structures are conceptualized, but on the way in which religion itself is defined” and that “this is important because one’s conception of religion determines the kinds of questions one thinks are askable and worth asking (Asad, 16).” Like I said at the beginning, I think that this is one of his most important and oft-repeated points, that the thing at stakes is what questions are askable and worth asking.
He concludes this section by saying that it is “important to emphasize that one must carefully examine established social practices, ‘religious as well as nonreligious,’ in order to understand the conditions that define ‘conservative’ or ‘radical’ political activity in the contemporary Muslim World (Asad, 19).
Part VII
Here we get to what Asad means by “discursive tradition.” First of all, tradition: “If one wants to write an anthropology of Islam one should begin, as Muslims do, from the concept of a discursive tradition that includes and relates itself to the founding texts of the Qur’an and the Hadith. Islam is neither a distinctive social structure nor a heterogeneous collection of beliefs, artifacts, customs, and morals. It is a tradition (Asad, 20).” Then he breaks it down:
What is a tradition? A tradition consists essentially of discourses that seek to instruct practitioners regarding the correct form and purpose of a given practice that, precisely because it is established, has a history. These discourses relate conceptually to a past (when the practice was instituted, and from which the knowledge of its point and proper performance has been transmitted) and a future (how the point of that practice can best be secured in the short or long term, or why it should be modified or abandoned), through a present (how it is linked to other practices, institutions, and social conditions) (Asad, 20).
And then he specifically states that “An Islamic discursive tradition is simply a tradition of Muslim discourse that addresses itself to conceptions of the Islamic past and future, with reference to a particular Islamic practice in the present (Asad, 20).” While clarifying that, “Clearly, not everything Muslims say and do belongs to an Islamic discursive tradition. Nor is an Islamic tradition in this sense necessarily imitative of what was done in the past (Asad, 20).” Thus, “for the anthropologist of Islam the proper theoretical beginning is therefore an instituted practice (set in a particular context and having a particular history) into which Muslims are inducted as Muslims (Asad, 21).” Further explaining that “a practice is Islamic because it is authorized by the discursive traditions of Islam, and is so taught to Muslims – whether by an ‘alim, a khatib, a Sufi shaykh, or an untutored parent (Asad, 21).”
He then makes two important other points, one about orthodoxy, that “orthodoxy is not a mere body of opinion but a distinctive relationship – a relationship of power to truth (Asad, 22).” And the other, about tradition again, that “the idea that traditions are essentially homogenous has a powerful intellectual appeal, but it is mistaken. Indeed, widespread homogeneity is a function, not of a tradition, but of the development and control of communication techniques that are part of modern industrial societies (Asad, 23).”
In conclusion, Asad says that, “An anthropology of Islam will therefore seek to understand the historical conditions that enable the production and maintenance of specific discursive traditions, or their transformation – and the efforts of practitioners to achieve coherence (Asad, 23).” He then leaves the reader with this assessment of his subject:
To write about a tradition is to be in a certain narrative relation to it, a relation that will vary according to whether one supports or opposes the tradition, or regards it as morally neutral. The coherence that each party finds, or fails to find, in that tradition will depend on their particular historical position. In other words, there clearly is not, nor can there be, such a thing as a universally acceptable account of a living tradition. Any representation of tradition is contestable. What shape that contestation takes, it if occurs, will be determined not only by the powers and knowledges each side deploys, but by the collective life to which they aspire – or to whose survival they are quite indifferent. Declarations of moral neutrality, here as always, are no guarantee of political innocence (Asad, 24).”
And I see no reason to mess that much wisdom up with a single other word of my own.

Michel de Certeau – Heterologies: Discourses on the Other


Michel de Certeau – Heterologies: Discourses on the Other
Translated by Brain Massumi. Forward by Wlad Godzich.
University of Minnesota Press, 1986. Theory and History of Literature, Vol 17.

Key Terms: Practice, Psychoanalysis, Literature, the Other, postcolonialism, History, Historiography, Foucault, tactics, discourse, Politics
Michel de Certeau’s collection of sixteen essays published in 1986, Heterologies: Discourse on the Other, was very interesting to read shortly after reading Foucault’s The Order of Things (OT). As the publisher (University of Minnesota) website says about the books, it is “a collection of numerous essays drawn from de Certeau’s writings” which “illustrates the diverse concerns that inform his work” and in which “each essay examines and questions the bases surrounding contemporary reorganization (http://www.upress.umn.edu/book-division/books/heterologies).” De Certeau’s essays are divided up into four broadly named parts, each of which contains three or four essays. The parts are, first, “The Return of the Repressed in Psychoanalysis,” the second is “Representation Altered by the Subject (Sixteenth and Seventeenth Centuries),” the third, “Nineteenth-Century Exoticisms,” and the fourth is, “Others’ Histories,” which is followed by a single essay conclusion on “The Politics of Silence: The Long March of the Indians.” One can see in the chapter titles alone how much OT provides an armature for de Certeau’s inquiries, though only the fourth Part’s four essays are explicitly about Foucault’s work. For this précis I’ll go through the parts that seemed to me to be the most relevant to our purposes for the exam. Beyond that, I’d say that de Certeau always makes for a good read, and these essays are written with particular force and wit.
Forward: The Further Possibility of Knowledge by Wlad Godzich
Reading Wlad Godzich’s forward to Heterologies was very helpful for setting up a context in which to think about why and what de Certeau writes in the book. Godzich helpfully sets up the context of its publication and subject accordingly:
Heterology is a term that has come to designate a philosophical countertradition that, in short-hand, could be described as being deeply suspicious of the Parmenidean principle of the identity of thought and being. Although de Certeau does not make over reference to the themes and motifs of this tradition, his choice of title, significantly pluralized, places him among those who have reacted against the modern forms of this prejudice, that is, against the mainstream of speculative philosophy which finds the Parmenidean principle embodied in the inexorable workings of the Hegelian dialectic as it paves the way for the Spirit’s conquer of the world (Godzich, vii-viii)
In many ways he could be seen as picking up where Foucault leaves off in OT, or, yes, of riding this heterological wave, as Godzich would have it. Godzich further describes how,
De Certeau relegates to the background the epistemological questions that have recently figured so prominently in our discussions as he conducts his reflection on the present organization of knowledge. This reflection leads him to pay special attention to the question of the Other, a question that figures as a leitmotif in many of the current discussions of knowledge, whether they originate in epistemological concerns or not (Godzich, viii).
What is clear to Godzich, and anyone who reads any of these essays, is that de Certeau, as always, sees a great deal at stake in practice as it relates, here, to theory. Godzich says of this that,
In contrast, then, to the tradition of which he is a part, de Certeau has clear practical aims. There is thus something very atheoretical about his endeavor, not because of any opposition to theory as such, but because the old construction of the opposition of theory and practice is part of the speculative edifice that de Certeau no longer finds hospitable or, perhaps more accurately, affordable (Godzich, viii).
Importantly, de Certeau’s practical aims are in many ways produced by and focused on contemporary political history and happenings, in particular, anti-colonial revolutions and national and indigenous independence movements. Godzich writes that much of de Certeau’s Heterologies thinking comes out of,
…the conception of the subject as the organizer and sense-maker of lived experience, and the challenge posed to forms of Western thought by the liberation movements of the past forty years. Both of these have contributed to a sense of fragmentation that is widespread in our culture and that has been diversely theorized in recent years (Godzich, viii).
So yeah, some sort of real Politics politics up in the mix for once, how about that? Neat, right?
PART ONE: The Return of the Repressed in Psychoanalysis
Chapter 1: Psychoanalysis and Its History
This chapter might be interesting to think about for those of you also interested in doing the memory question on the transmission exam. It is about how “Psychoanalysis and historiography thus have two different ways of distributing the space of memory (de Certeau).” By which he means that, “they conceive of the relation between the past and present differently. Psychoanalysis recognizes the past in the present; historiography places them one beside the other (de Certeau, 4).” Both psychoanalysis and historiography engage and produce relationships between the past and the present. Psychoanalysis gives us a model for understanding how,
any autonomous order is founded upon what it eliminates; It produces a ‘residue’ condemned to be forgotten. But what was excluded re-infiltrates the place of its origin – now the present’s ‘clean’ [propre] place. It resurfaces, it troubles, it turns the present’s feeling of beings ‘ at home’ into an illusion, it lurks – this ‘wild,’ this ob-scene,’ this ‘filth,’ this ‘resistance’ of ‘superstition’ – within the walls of the residence, and, behind the back of the owner (the ego), or over its objections, it inscribes there the law of the other (de Certeau, 4).
While, according to de Certeau’s argument,
Historiography, on the other hand, is based on a clean break between the past and the present. It is the product of relations of knowledge and power linking two supposedly distinct domains: on one hand, there is the present (scientific, professional, social) place of work, the technical and conceptual apparatus of inquiry and interpretation, and the operation of describing and/or explaining; on the other hand, there are places (museums, archives, libraries) where the materials forming the object of this research are kept and, secondarily, set off in time, there are the past systems or events to which these materials give analysis access. There is a boundary line separating the present institution (which fabricates representations) from past or distant regions (which historiographical representations bring into play). de Certeau, 4
Okay, so we have some memory space, some repression, some return and some disciplines. And a whole lot of power circulating through all of it. Next up? What else? Literature and History, of course!
Chapter 2: The Freudian Novel: History and Literature
Charmingly, de Certeau really gets right to the point in this one. He writes,
I will state my argument without delay: literature is the theoretic discourse of the historical process. It creates the non-topos where the effective operations of a society attain a formalization. Far from envisioning literature as the expression of a referential, it would be necessary to recognize here the analogue of that which for a long time mathematics has been for the exact sciences: a ‘logical’ discourse of history, the ‘fiction’ which allows it to be thought (de Certeau, 18).
Literature is the “fiction” which allows us to think history. Literature is the discursive mode of History. Thus, literature itself is historical. De Certeau relates this argument to Freud, whose work often takes a, self-proclaimed, novel-like form. De Certeau explains that,
Although Freudian interpretation takes the form of a novel, it remains nonetheless historical. Let us give to the term ‘historical’ the definition that will serve as a point of departure: by ‘historical’ we intend the analysis which considers its materials as effects of symptoms (economic, social, political, ideological, etc.) and which aims at elucidating the temporal operations (causality, intersection, inversion, calescence, etc.) which were able to produce such effects (de Certeau, 21).
Thus, History is, itself, “a ‘literature’ overlooked by the subject matter it deals with (de Certeau, 21).” That is History. “The project of historiography,” on the other hand, is “the inverse of the poetic (literary) one,
it consists of furnishing discourse with referentiality, to make it function as ‘expressive,’ to legitimize it by means of the ‘real,’ in short, to initiate discourse as that which is supposed to have knowledge. The law of historiography functions to obscure nothingness, to suppress the void, to fill the gap. The discourse must not appear separate from its referents. The absence of loss at the origin of this construct must not be unveiled. Literary history, for example, meticulously links the literary text to ‘realistic’ (economic, social, psychological, ideological, etc.) structures (de Certeau, 31).
Thus, he goes so far as to say, that in its efforts to “initiate discourse as that which is supposed to have knowledge” historiography is, “in effect, pedagogical.”
It says to use, “I will teach you, readers, something you do not know” and thus, “it is a law, written by reality itself (de Certeau, 32).” Thus, the historian, “teaches laws which supposedly have a real referent. But this capacity to institutionalize the texts he studies (chosen for their non-literary value or selected in such a way as to avoid their development toward ‘literary’ autonomy in relation to the facts they are considered to signify) is the product of an accreditation to a profession or of a membership in a learned community (de Certeau, 32).” Historiography, unlike history or its discursive mode, literature, is about producing expertise and the formalization, centralization and implementation of power.
Okay, so now we have psychoanalysis, historiography, History and literature all in the mix. From here de Certeau goes on some crazy case-study escapades. Lacan, Surin, Melancholy, Mysticism and all of that fantastic and wild stuff that I am going to save for/ spare you until another time. Which means that I am hereby skipping from his second essay straight through to his twelfth. I hope that’s okay. Instead of a précis, I present you, a table of contents.
PART ONE: The Return of the Repressed in Psychoanalysis (continued)
Chapter 3: The Institution of Rot
Chapter 4: Lacan: An Ethics of Speech
PART II: Representation Altered by the Subject (Sixteenth and Seventeenth Centuries)
Chapter 5: Montaigne’s ‘Of Cannibals’: The Savage ‘I’
Chapter 6: Mystic Speech
Chapter 7: Surin’s Melancholy
PART III: Nineteenth-Century Exoticisms
Chapter 8: The Beauty of the Dead: Nisard, Written in collaboration with Dominique Julia and Jacques Revel
Chapter 9: Writing the Sea: Jules Verne
Chapter 10: The Theater of the Quiproquo: Alexander Dumas
Chapter 11: The Arts of Dying: Celibatory Machines
And now…
PART IV: Others’ Histories
Chapter 12: The Black Sun of Language: Foucault
Right, so this is the section that is really totally about Foucault. De Certeau opens the chapter by telling his reader that, “Michel Foucault’s book, The Order of Things, sold out within a month after it first appeared – or so goes the advertising legend” and that “the work, though long and difficult, numbers among those outward signs of culture the trained eye should find on prominent display in every private library, alongside the art books (de Certeau, 171).” I’m giving you five minutes to go find your copy, make some space on your shelf next to your art books, and put it there….
Back? Okay, good. Because de Certeau has more to say about why you should be showing off like that:
First of all, Foucault is far from ‘boring.’ In fact, he is brilliant (a little too brilliant). His writing sparkles with incisive formulations. He is amusing. Stimulating. Dazzling. His erudition confounds his; his skills compels assent; his art seduces. Yet something in us resists. Or rather, the initial charm gives way to a kind of second-degree assent, a complicity that remains after we have taken a step back from the first flush of bewitchment, but whose basis we would be hard-pressed to explain. de Certeau, 171
Sparkly, stimulating and seductive. Apparently Foucault also designed for the Angels® collection at Victoria’s Secret. Maybe a “Discipline and Punish” line of leather goods? No? Enough? Okay, fine. Anyway…
De Certeau provides a summary of Foucault’s project in OT which is excellent, and not only because it runs 1/40th the length of my own. It is as follows:
Over time, and in the density of its own time, each episteme is made up of the heterogeneous: what it does not know about itself (its own grounding); what it can no longer know about other epistemei (after the disappearance of the ‘foundations’ they imply); what will be lost forever of its own objects of knowledge (which are constituted by a ‘structure of perception’) things are defined by a network of words, and they give way when it does. Order emerges from disorder only in the form of the equivocal. Reason, rediscovered in its underlying coherence, is always being lost because it is forever inseparable from an illusion. In Foucault’s books, reason dies and is simultaneously reborn (Certeau, 173).
Pithy, right? And totally right on. Plus, he adds this completely correct assessment, if you ask me, which is that what Foucault presents in OT is “a philosophy as well as a method” and “although it is useful to distinguish them for purpose of exposition, the two are inseparable (de Certeau, 173).” He really gets to the heart of how this is accomplished in OT just a moment later when he writes that,
for Foucault, unreason is no longer the outer limit of reason: it is its truth. It is the black sun imprisoned in language, burning unbeknown to it – it is what revealed to him, as it did to Roussel, ‘ the untiring journey through the domain common to both language and being, the observation of the play in which things and words mark their presence yet are absent from themselves, expose and mask themselves (de Certeau, 173-74).
This dialectic of exposure and masking is part of a “Pascalian twist” in which “Foucault brings continuity to light precisely where rupture had appeared (de Certeau, 179).” Yup, sounds right to me.
Thus, before moving on to the next chapter, de Certeau concludes that “We may thus ask ourselves two questions regarding Foucault (de Certeau, 184).” The first question is, “what history does he recount? On this, the historians have the floor; they can confirm that his is a reading of history that sifts through the real, decides itself what is significant, and takes refuge in the ‘density’ of history when the surface resists his treatment (de Certeau, 184).” And, the second is about “the philosophic determination of the status of his discourse, the clarification of the relation between his particularity and his project (who is speaking? from where?), and the elaboration for the concepts he uses (foundation, ground, positivity, etc.) mark the spot where that magnificent ‘account’ should transform into philosophy (de Certeau, 184).” Good thing there are three more essays coming up to deal with those questions, they’re big ones.
Chapter 13: Micro-techniques and Panoptic Discourse: A Quid pro Quo
Seriously though, I want to be this good at the hitting of nails on their heads. Here’s how de Certeau gets it done this time: “As always, for Foucault, the drama is played out between two forces whose relationship to one another is inverted by the ruse of history (de Certeau, 185).” Yeah, I mean, it’s not really quite that easy, but… I guess it sort of is. It certainly isn’t not about that. Anyway, de Certeau argues that this method of “showing, in a single case, the heterogeneous and equivocal relations between apparatuses” Foucault constitutes “a new object of historical study: that zone in which technological procedures have specific effects of power, obey logical dynamisms which are specific to them, and produce fundamental turnings aside in the juridical and scientific institutions (de Certeau, 189).” De Certeau’s point here, though, is not just to unpack how things work in Foucault, it is to point out that given all that his method does do, what it does not do is help us “know what to make of other, equally infinitesimal procedures that have remained unprivileged by history yet which continue to flourish in the interstices of the institutional technologies” and that “this is most particularly the case of procedures that lack the essential precondition indicated by Foucault, namely the possession of a locus or specific space of their own on which the panoptical machinery can function (de Certeau, 189).”
In other words, Foucault’s method is very useful for looking at the big obvious places within a system of governmental power, clinics, prisons, etc., but power is just as important in less obvious places, places “without locus” that, rather, could be called “rhetorical ‘tactics (de Certeau, 189.’” Not only does Foucault’s method fail to account for these tactics and places without place, de Certeau suggests that these tactics “secretly reorganize Foucault’s discourse, colonize his ‘panopitcal’ text and transform it into a ‘trompe-l’oeil (de Certeau, 189).’” So basically, good job with the easy stuff there, big fella, now how about some of the sneaky craziness that upends all your neat little arguments and that is where it all really happens?
De Certeau says that “Foucault works on this cliff… beyond [which there is] nothing but the sea] when he attempts to invent a discourse that can speak of non-discursive practices” but that what we need to consider is that “micro-techniques,” instead of being its object, actually build his theory (de Certeau, 189-90). Thus, he concludes, “the question no longer concerns the procedures organizing social surveillance and discipline, but the procedures producing Foucault’s text itself. In fact, the micro-techniques provide not only the content of the discourse but also the process of its construction (de Certeau, 189-90).” I read this as connecting very much to the de Certeau’s thinking on tactics and practice in The Practice of Everyday Life which had been published six years earlier in France. The connection becomes even more explicit in the next chapter which uses the language of “poaching” which is so significant in that book. The “art” of “micro-techniques” techniques that comprise Foucault’s theory make it easy to see that the theory is not about such tactics, but is, instead, “an effect and a network of these procedures themselves. It is a narrative, a theoretical narrative, which obeys rules analogous to those panoptic procedures. There is no epistemological and hierarchical break between the theoretical text and the micro-techniques. Such a continuity constitutes the philosophical novelty of Foucault’s work (de Certeau, 191).” Once again, de Certeau’s essay/ chapter ends on a cliff(hanger). He writes:
Two short propositions may be an introduction to a debate, and may take the place of a conclusion.
1) Procedures are not merely the objects of a theory. They organize the very construction of theory itself. far from being external to theory, or from staying on its doorstep. Foucault’s procedures provide a field of operations within which theory is itself produced. With Foucault we get another way of building a theory, a theory which is the literary gesture of those procedures themselves.
2) In order to clarify the relationship of theory with those procedures that produce it as well with those that are its objects of study, the most relevant way would be a storytelling discourse. Foucault writes that he does nothing but tell stories (‘récits’). Stories slowly appear as a work of displacements, relating to a logic of metonymy. Is it not then time to recognize the theoretical legitimacy of narrative, which is then to be looked upon not as some ineradicable remnant (or remnant still to be eradicated) but rather as a necessary form for a theory of practices? In this hypothesis, a narrative theory would be indissociable from any theory of practices, for it would be its precondition as well as its production. de Certeau, 192
Foucault’s historical practice does not just study practices, it is produced by them and it produces them, it operates as much in a literary discursive mode as any other historical project. And thus, he, and we, laugh a big ol’ Nietzschean chuckle into the fourteenth chapter.
Chapter 14: The Laugh of Michel Foucault
This chapter starts with what I think is one of the best things Foucault ever said/ wrote. At the beginning of The Archaeology of Knowledge (1969), Foucault responds to his critics this way:
No, no, I’m not where you are lying in wait for me, but over here, laughing at you.
What, do you imagine that I would take so much trouble and so much pleasure in writing, do you think that I would keep so persistently to my task, if I were not preparing – with a rather shaky hand – a labyrinth into which I can venture, in which I can move my discourse, opening up underground passages, forcing it to go far from itself, finding overhangs that reduce and deform its itinerary, in which I can lose myself and appear at last to eyes that I will never have to meet again. I am no doubt not the only one who writes in order to have no face. Do not ask who I am and do not ask me to remain the same: leave it to our bureaucrats and our police to see that our papers are in order. At least spare us their morality when we write. (Foucault, The Archaeology of Knowledge, p. 17.) de Certeau, 193
De Certeau sees this attitude of Foucault as a fundamentally important part of his practice, he writes “This surprising inventiveness of words and things, this intellectual experience of a disappropriation that opens possibilities, is what Foucault marks with a laugh. It is his philosophical signature on the irony of history (de Certeau, 194).” But it isn’t that Foucault laughs at history, it is the gets history’s joke.
It is not Mr. Foucault who is making fun of domains of knowledge and predictions, or pre-visions; it is history that is laughing at them. It plays tricks on the teleologists who take themselves to the be the lieutenants of meaning. A meaninglessness of history, a mocking and nocturnal god, ridicules the schoolmasters’’ authority and withdraws from Foucault himself the moralistic or pedagogical role of being an ‘intellectual’ who is always on top of things. The lucidity comes from an attentiveness, always mobile, always surprised, to what events show us without our knowing it. de Certeau, 196
And this opening to surprise, to the constant twists and astonishments, is political. The politics of the visible is the terrain of philosophy in this domain. De Certeau writes about this, that
Already a major locus for Merleau-Ponty, the visible constitutes for Foucault the contemporary theater of our fundamental options. It is here that a use of space for policing purposes is confronted by a vigilance attuned to what else happens there. Mustered on this terrain of our epistemological wars, the work of philosophy oppose the systems that subject space to surveillance with paradoxes that chance encounters produce in it; it opposes the panoptic leveling with discontinuities revealed in thought by chance. Two practices of space clash in the field of visibility, the one ordered by discipline, the other based on astonishment. With this combat, reminiscent of those of the Greed gods in their heaven, is effect the ‘reversal’ of the technologies of ‘seeing without being seen’ into aesthetics of ethical existence (de Certeau, 197).
The chance, the contingent, the possibility of the impossible to predict, of being open and responding to tactics and “’discontinuous practices’ born of inventions that arise from chance encounters” and the “event that is elicited by the ‘wild profusion of beings’ adds to each carefully constructed map another possibility (de Certeau, 197).” De Certeau seems to be after a politics of history that, in asking questions about what makes thinking thoughts a certain way possible, remains open to other possible possibles. Not even a single subversive writing against the dominant, not a single heterology, not one Other, but Others, heterologies. He writes further,
None of these maps defines a destiny or truth of thought. these successive places are not linked by the progress of an Idea that would gradually formulate itself, but by a common way of thinking. They answer to the laughs of history. They attest to the necessity of inscribing these chance happenings one after another in our domains of knowledge; they do not undertake, by homogenizing all the discourses, to return their dazzling discontinuities to the shadows. Rarely has philosophical astonishment been treated in a manner so mindful of its possible developments and respectful of its surprises. de Certeau, 197
And as may already be obvious, this pertains not only to philosophy, but to “political activity” which “has the same style (de Certeau, 197).” Political activity,
does not appropriate for itself a meaning of history. It does not constitute a strategy, much less a doctrine. It responds to events with the same kind of faithfulness described above in relation to the fortuities of the text. It keeps to the events with the same rigorous constancy and precision, with a view to bringing out the implications of the unthought that breaks through the grid of the established order and accepted disciplines. The chance occurrences of political and social current events, the condition of inmates in French prisons, the Iranian revolution, the repression in Poland, and so many other singular encounters elicited in Foucault the kind of astonishment that generates action. de Certeau, 197
In the last two chapters of the book we see how de Certeau envisions a reorganization of the relationship between history and politics.
Chapter 15: History: Science and Fiction
De Certeau starts the chapter by explaining that:
My analysis of historiography must be situated in the context of a question too broad to be treated fully here, namely the antinomy between ethics and what, for lack of a better word, I will call dogmatism. Ethics is articulated through effective operations, and it defines a distance between what is and what ought to be. The distance designates a space where we have something to do. On the other hand, dogmatism is authorized by a reality that it claims to represent and in the name of this reality, it imposes laws. Historiography functions midway between these two poles: but whenever it attempts to break away from ethics, it returns toward dogmatism (de Certeau, 199).
And so, we are back to Historiography, which de Certeau tells us, is one of the sciences that was “born with that ‘modern’ historical act that depoliticized research by establishing ‘disinterested’ and ‘neutral’ fields of study supported by scientific institutions. This act of neutralization continues in many instance to be organizing the ideology proclaimed in certain scientific communities (de Certeau, 215). And so,
is therefore necessary today to ‘repoliticize’ the sciences, that is to focus their technical apparatus on the fields of force within which they operate and produce their discourse. This takes is preeminently that of the historian. Historiography has always been lodged at the frontier between discourse and power. It is a battlefield for a war between sense and violence. But after having believed for three or four centuries it was possible to dominate and to observe this relation – to situate it outside of knowledge in order to make it an ‘object’ for knowledge and to analyze it under the category of a ‘past’ – we must recognize today that the conflict between discourse and power hangs over historiography itself and at the same time remains an integral part of it. de Certeau, 215
And guess, what, “this ‘repoliticization’ will consist in ‘historicizing’ historiography itself (de Certeau, 216).” Makes sense, right? That’s basically what he’s been doing all along, I think, trying to historicize, and thus repoliticize historiography. And he makes a good argument for it, if you ask me. Particularly here, at the end of the essay when he says,
The very place established by procedures of control is itself historicized by time, past or future; time is inscribed there as the return of the ‘other’ (a relationship of power, to precedents, or to ambitions), and while ‘metaphorizing’ the discourse of science, it turns it into the discourse of a social reciprocity and of an ethical project. While place is dogmatic, the coming back of time restores an ethics. de Certeau, 221
If nothing else, de Certeau serves to remind us that when we read Foucault, we need to think about his history in the same way he read other peoples’ history, as produced by and productive of a particular discourse.
So, the politics. Let’s get to that there at the end and then we’ll be on to the next thing. Shall we?
PART V: Conclusion
Chapter 16: The Politic of Silence: The Long March of the Indians
Here, as Godzich told us he was, de Certeau gets into his interest in contemporary revolutionary political movements. He chooses to focus on the indigenous Indian Manifesto movement in South America about which I knew pretty much nothing and about which I now know only a little bit more because, frankly, I was really just reading this chapter to see how he went about applying any of what he’d said in the first fifteen pieces to an actual people/ place/ moment. I’ll be brief about what I found.
De Certeau summarizes “the features observable in the Indian Manifestoes” and says that in them,
the following model emerges: an associative interweaving of sociopolitical micro-units, each of which is characterized by community self-management of resources (essentially land), in other words, by a range of complementary rights and obligations which have as their object the same commodity, and which are assigned to various holders, none of which is inherently entitled (as either an individual or legal entity) to what we call the right of ownership (de Certeau, 230).
His interest in telling us about this movement is that the “attitude” evident in it
opens horizons and raises questions. A quick enumeration of them also serves as a summary of the reasons in favor of solidarity with the movement to which the Declarations bear witness:
1. The passage from a micro-politics (of self-managing communities) to a macro-politics (the federation). In our societies, this passage corresponds to an until now unbridgeable gap marked by the integrating structures of the State.
2. The collective contracts with the earth, in their dual aspect as economic (rural cooperatives) and ecological (harmony with nature.
3. Lastly, cultural pluralism is also essential to the self-management perspective.
A space of exchange and sharing is thus established. Silently. It is accompanied- is it any surprise? – by references to the Great Spirit, but discreet ones, because the ‘daily recognition of the Unseen and Eternal’ is ‘unspoken’… (de Certeau, 233)
He then tells us that, “Readers, you and I stand invited to assist in this work, which is inspired by concern for the other, and is meant to rise to the same beat as the Indian awakening (de Certeau, 233).”
Whether or not that’s something you feel like doing is obviously up to you. But I hope you can see how de Certeau does help us to continue thinking with and about Foucault in some ways that I think could potentially be very productive.

Wednesday, January 11, 2012

Michel Foucault - The Order of Things - Part 2


PART TWO
*A moment here on gendered language. Foucault talks all about “man” and the “history of man” and “man’s idea of himself” and blah blah blah. If this were an undergrad paper, I’d be all “Don’t do that!” but this is Foucault, so I’m gonna shut up and listen, like a woman is supposed to do anyway, I suppose.
Chapter 7: The Limits of Representation
And now we come to History. To what Foucault calls the “mutation of Order into History” that occurs at the end of the eighteenth and the beginning of the nineteenth centuries (Foucault, 220). This capitalized History Foucault says, “gives place to analogical organic structures, just as Order opened the way to successive identities and differences. … It is the fundamental mode of being of empiricities, upon the basis of which they are affirmed, posited, arranged, and distributed in the space of knowledge for the use of such disciplines or sciences as may arise (Foucault, 219).” It took “a fundamental event – certainly one of the most radical that ever occurred in Western culture – to bring about the dissolution of the positivity of Classical knowledge, and to constitute another positivity form which, even now, we have doubtless not entirely emerged (Foucault, 220-221).” Not only that, but this event, the event the precipitated the mutation of Order into History, “probably because we are still caught inside it, is largely beyond our comprehension (Foucault, 221).” This is the event whereby,
to classify… will no longer mean to refer the visible back to itself, while allotting one of its elements the task of representing others; it will mean, in a movement that makes analysis pivot on its axis, to relate the visible to the invisible, to its deeper cause, as it were, then to rise upwards once more from that hidden architecture towards the more obvious signs displayed on the surface of bodies (Foucault, 229).
In other words, “organic structure intervenes between the articulating structures and the designating characters – creating between them a profound, interior, and essential space (Foucault, 231)” and thus, “the very being of that which is represented is now going to fall outside representation itself (Foucault, 240).”
Okay, so how to put this? I remember that when I was reading this book this summer, I was trying to explain to my roommate, and I remember explaining this moment, and it making sense when I did it, and right now I would do anything to have tape of that moment. Basically, there was a direct connection between a thing and a word. That word went to that thing for a reason, because of something essential about that thing that was shared with that word, and that was why they were connected. At this point, though, things start to be considered distinct entities that can be related to each other in classes, plants, trees, species, etc. and the words that describe them, and those relationships of classification, but they do not emanate from them, or resemble them.
I’m honestly not sure that I’m not reducing this too much or that I’ve really read it correctly, but that’s about the most sense of it that I can make at the moment.
Chapter 8: Labour, Life, Language
The three terms that comprise the title of this chapter are what Foucault calls the “”quasi-transcendentals” that are constituted for us by “the thought that is contemporaneous with us, and with which, willy-nilly, we think, is still largely dominated by the impossibility, brought to light towards the end of the eighteenth century, of basing syntheses in the spaces of representation (Foucault, 250).” At the end of the eighteenth century, what was happening was that,
The visible order, with its permanent grid of distinctions, is now a superficial glitter above an abyss.
The space of Western knowledge is now about to topple: the taxinomia, whose great, universal expanse extended in correlation with the possibility of a mathesis, and which constituted the down-beat of knowledge – at once its primary possibility and the end of its perfection – is now about to order itself in accordance with an obscure verticality: a verticality that is to define the law of resemblances, prescribe all adjacencies and discontinuities, provide the foundation for perceptible arrangements, and displace all the great horizontal deployments of the taxinomia towards the somewhat accessory region of consequences. Thus, European culture is inventing for itself a depth in which what matters is no longer identities, distinctive characters, permanent tables with all their possible paths and routes, but great hidden forces developed on the basis of their primitive and inaccessible nucleus, origin, causality, and history (Foucault, 251).
Thus, “what changed at the turn of the century, and underwent an irremediable modification, was knowledge itself as an anterior and indivisible mode of being between the knowing subject and the object of knowledge (Foucault, 252).” And those “quasi-transcendentals,” Foucault says, “are fundamental modes of knowledge which sustain in their flawless unity the secondary and derived correlation of new sciences and techniques with unprecedented objects (Foucault, 253).” From here, he goes on to explore how one can discern signs of these emergent modes “doubtless buried deep down in the dense archaeological layers” in Ricardo’s work in economics, Cuvier’s in biology, and Bopp’s in philology. A few quotes here for each of them. It’s pretty straightforward, so I’m not going to editorialize, best to just get onto the really rich stuff in Chapter Nine:
Ricardo:
The positivity of economics is situated in that anthropological hollow. Homo oeconomicus is not the human being who represents his own needs to himself, and the objects capable of satisfying them; he is the human being who spends, wears out, and wastes his life in evading the imminence of death. He is a finite being: and just as, since Kant, the question of finitude has become more fundamental than the analysis of representations (the latter now being necessarily a derivation of fashion, upon an anthropology that attempts to assign concrete forms to finitude. Foucault, 257
The tide of History will at last become slack. Man’s finitude will have been defined – once and for all, that is, for an indefinite time.
Paradoxically, it is the historicity introduced into economics by Ricardo that makes it possible to conceive of this immobilization of History. Foucault, 259
At the deepest level of Western knowledge, Marxism introduced no real discontinuity; it found its place without difficulty, as a full, quiet, comfortable and, goodness knows, satisfying form for a time (its own), within an epistemological arrangement that welcomed it gladly (since it was this arrangement that was in fact making room for it) and that it, in return, had no intention of disturbing and, above all, no power to modify, even one jot, since it rested entirely upon it. Marxism exists in nineteenth-century thought like a fish in water: that is, it is unable to breathe anywhere else. Foucault, 262
Cuvier:
From Cuvier onward, it is life in its non-perceptible, purely functional aspect that provides the basis for the exterior possibility of a classification. The classification now arises from the depths of life, from those elements most hidden from view. Before, the living being was a locality of natural classification; now, the fact of being classifiable is a property of the living being. So the project of a general taxinomia disappears; the possibility of deploying a great natural order which would extend continuously from the simplest and most inert of things to the most living and the most complex disappears; and the search for order as the ground and foundation of a general science of nature also disappears. ‘Nature’, too, disappears – being understood that nature, throughout the Classical age, did not exist in the first place as a ‘theme’, as an ‘idea’, as an endless source of knowledge, but as a homogenous space of orderable identities and differences. Foucault, 268
Life is no longer that which can be distinguished in a more or less certain fashion from the mechanical; it is that in which all the possible distinctions between living beings have their basis. It is this transition from the taxonomic to the synthetic notion of life which is indicated, in the chronology of ideas and sciences, by the recrudescence, in the early nineteenth century, of vitalist themes. From the archaeological point of view, what is being established at this particular moment is the conditions of possibility of a biology. Foucault, 269
From Cuvier onward, the living being wraps itself in its own existence, breaks off its taxonomic links of adjacency, tears itself free from the vast, tyrannical plan of continuities, and constitutes itself as a new space: a double space, in fact – since it is both the interior one of anatomical coherences and physiological compatibilities, and the exterior one of the elements in which it resides and of which it forms its own body. But both these spaces are subject to a common control: it is no longer that of the possibilities of being, it is that of the conditions of life. Foucault, 274
Here, on the contrary, a system of thought is being developed in which individuality, with its forms, limits, and needs, is no more than a precarious moment, doomed to destruction, forming first and last a simple obstacle that must be removed from the path of that annihilation; a system of thought in which the objectivity of things is mere appearance, a chimera of the perceptions, an illusion that must be dissipated and returned to the pure will, without phenomenon, that brought those things into being and maintained them there for an instant; lastly, a system of thought for which the recommencement of life, its incessant resumptions, and its stubbornness, preclude the possibility of imposing a limit of duration upon it, especially since time itself, with its chronological divisions and its quasi-spatial calendar, is doubtless nothing but an allusion to knowledge. Foucault, 279
Bopp:
If the word is able to figure in a discourse in which it means something, it will no longer be by virtue of some immediate discursivity that it is thought to possess in itself, and by right of birth, but because, in its very form, , in the sounds that compose it, in the changes it undergoes in accordance with the grammatical function it is performing, and finally in the modifications to which it finds itself subject in the course of time, it obeys a certain number of strict laws which regulate, in a similar way, all the other elements of the same language; so that the word is no longer attached to a representation except in so far as it is previously a part of the grammatical organization by means of which the language defines and guarantees its own coherence. Foucault, 280-81
Etymology will therefore cease to be an endless regress towards a primitive language entirely stocked with primal, natural cries; it becomes a definite, limited method of analysis, the aim of which is to discover within any given word the radical from which it has been formed: ‘The roots of words were brought to light only after the successful analysis of inflection and derivations’ [J. Grimm, L’Origine du langage (Fr. Trans. Paris, 1859, p.7.]. Foucault, 288
We speak because we act, and not because recognition is a means of cognition. Like action, language expresses a profound will to something. Foucault, 290
Empiricity – and this is equally true of natural individuals and of the words by which they can be named – is henceforth traversed by History, through the whole density of its being. The order of time is beginning. Foucault, 293
By being cut off from that which it represents, language was certainly made to emerge for the first time in its own particular legality, and at the same time it was doomed to be re-apprehensible only within history. Foucault, 294
Classical knowledge was profoundly nominalist. From the nineteenth century, language began to fold in upon itself, to acquire its own particular density, to deploy a history, an objectivity, and laws of its own. It became one object of knowledge among others. on the same level as living beings, wealth and value, and the history of evens and men. It may possess its own concepts, but the analyses that bear upon it have their roots at the same level as those that deal with other empirical forms of knowledge. The preeminence that enabled general grammar to be logic while at the same time intersecting with it has now been lost. To know language is no longer to come as close as possible to knowledge itself; it is merely to apply the methods of understanding in general to a particular domain of objectivity. Foucault, 296
Finally, the last compensations for the demotions of language, the most important, and also the most unexpected, is the appearance of literature, of literature as such – for there has of course existed in the Western world, since Dante, since Homer, a form of language that we now call ‘literature.’ … Literature is the contestation of philology (of which it is nevertheless the twin figure): it leads language back from grammar to the naked power of speech, and there it encounters the untamed, imperious being of words. From the Romantic revolt against a discourse frozen in its own ritual pomp, to the Mallarméan discovery of the word in its impotent power, it becomes clear what the function of literature was, in the nineteenth century, in relation to the modern mode of being language. … it breaks with the whole definition of genres as forms adapted to an order of representations and becomes merely a manifestation of a language which has no other law that that of affirming – in opposition to all other forms of discourse – its own precipitous existence; and so there is nothing for it to do but to curve backing a perpetual return upon itself, as if its discourse could have no other content than the expression of its own form; it addresses itself to itself as a writing subjectivity, or seeks to re-apprehend the essence of all literature in the movement that brought it into being; and thus all its threads converge upon the finest points – singular, instantaneous, and yet absolutely universal – upon the simple act of writing. Foucault, 300
At the moment when language, as spoken an scattered words, becomes an object of knowledge, we see it reappearing in a strictly opposite modality: a silent, cautious deposition of the word upon the whiteness of a piece of paper, where it can possess neither sound nor interlocutor, where it has nothing to say but itself, nothing to do but shine in the brightness of its being. Foucault, 300
Chapter 9: Man and his Doubles
Here, Foucault tells us that “what Classical thought reveals is the power of discourse (Foucault, 310-11),” and that at the beginning of the nineteenth century, as the law of discourse was now detached from representation, “the being of language itself” became “fragmented,” resulting in the focus of thought becoming the question “What is language, how can we find a way round it in order to make it appear in itself, in all its plenitude” and he sees this line of questioning as paralleling those also arising at the time about life (biology) and labour (political economy) (Foucault, 306). “Classical language, as the common discourse of representation and things, as the place within which nature and human nature intersect” excluded the possibility of a ‘science of man’ because “as long as that language was spoken in Western culture, it was not possible for human existence to be called in question on its own account, since it contained the nexus of representation of being (Foucault, 311).” With the decline of Classical language as the common discourse, such a ‘science of man,’ becomes possible; biology emerges from the breakdown of natural history. This event is “the appearance of man (Foucault, 317).”
This is the event of the end of metaphysics (Foucault, 317) and a
fourfold displacement in relation to the Kantian position, for it is now a question not of truth, but of being; not of nature, but of man; not of the possibility of understanding, but of the possibility of a primary misunderstanding; not of the unaccountable nature of philosophical theories as opposed to science, but of the resumption in a clear philosophical awareness of that whole realm of unaccounted-for experiences in which man does not recognize himself (Foucault, 323).
Foucault gives a really beautiful description of what this concept of man is that emerges, which I’ll quote in full:
No doubt, on the level of appearances, modernity begins when the human being begins to exist within his organism, inside the shell of his head, inside the armature of his limbs, and in the whole structure of his physiology; when he begins to exist at the centre of a labour by whose principles he is governed and whose product eludes him; when he lodges his thought in the folds of a language so much older than himself that he cannot master its significations, even though they have been called back to life by the insistence of his words. But more fundamentally, our culture crossed the threshold beyond which we recognize our modernity when finitude was conceived in an interminable cross-reference with itself. Though it is true, at the level of the various branches of knowledge, that finitude is always designated on the basis of man as concrete being and on the basis of the empirical forms that can be assigned to his existence, nevertheless, at the archaeological level, which reveals the general, historical a priori of each of those branches of knowledge, modern man – that man assignable to his corporeal, labouring, and speaking existence – is possible only as a figuration of finitude. Modern culture can conceive of man because it conceives of the finite on the basis of itself. Foucault, 318
Man, thinking of himself as such “inside the shell of his head” is the beginning of the modern. With the end of metaphysics Foucault turns to the beginning of phenomenology, which he says is “much less the resumption of an old rational goal of the West than the sensitive and precisely formulated acknowledgement of the great hiatus that occurred in the modern episteme at the turn of the eighteenth and nineteenth centuries (Foucault, 325).” Phenomenology, he says, has an “allegiance,” if it has any, to “the discovery of life, work, and language; and also to the new figure which, under the old name of man, first appeared less than two centuries ago… to interrogation concerning man’s mode of being and his relation to the unthought (Foucault, 325).” The “unthought (whatever name we give it),” Foucault quickly explains, “is not lodged in man like a shriveled-up nature or a stratified history; it is, in relation to man, the Other: the Other that is not only a brother but a twin, born, not of man, nor in man, but beside him and at the same time, in an identical newness, in an unavoidable duality (Foucault, 326).” So, with the emergence of a man who conceives of himself as finite, of and in his mind and body, a twin Other is born at the same time.
Here Foucault turns to the question of morality as it existed in these periods. He says that “it is clear that the West has known only two ethical forms. The old one (in the form of stoicism or Epicureanism) was articulated upon the order of the world, and by discovering the law of that order it could deduce from it the principle of a code of wisdom or a conception of the city (Foucault, 328).” Modernity, on the other hand,
formulates no morality, since any imperative is lodged within thought and its movement towards the apprehension of unthought [the Other]; it is reflection, the act of consciousness, the elucidation of what is silent, language restored to what is mute, the illumination of the element of darkness that cuts man off from himself, the reanimation of the inert – it is all this and this alone that constituted the content and form of the ethical (Foucault, 328).
The rupture in language that sundered apart the thing and the word, produced a gap between “man and himself,” as he is now occupied by trying to think that gap, to think the unthought, his own otherness to himself and the otherness of the Other. thus, “Modern thought has never, in fact, been able to propose a morality. But the reason for this is not because it is pure speculation; on the contrary, modern thought, from its inception and in its very density, is a certain mode of action (Foucault, 328).” Modernity produced ethics, way of living in and with finitude, not morality, or a code for being. Foucault explains that, “superficially, one might say that knowledge of man, unlike the sciences of nature, is always linked, even in its vaguest form, to ethics or politics; more fundamentally, modern thought is advancing towards that region where man’s Other must become the same as himself (Foucault, 328).”
Thus, “man is cut off from the origin that would make him contemporaneous with his own existence: amid all the things that are born in time and no doubt die in time, he, cut off from all origin, is already there (Foucault, 332).” I’m still having a hard time wrapping my head around this part of Foucault’s argument, but its relation to historicity is clearly important. He says that in modernity, “it is no longer origin that gives rise to historicity,” but rather,
it is historicity that, in its very fabric, makes possible the necessity of an origin which must be both internal and foreign to it: like the virtual tip of a cone in which all differences, all dispersions, all discontinuities would be knitted together so as to form no more than a single point of identity, the impalpable figure of the Same, yet possessing the power, nevertheless, to burst open upon itself and become the other (Foucault, 332).
The modern sense of history creates a position for man in which he is constantly seeking an original the concept of which would not exist without his idea of history. Thus, t
The incommensurability of he incommensurability of man and his origin is mirrored in the incommensurability of man and himself, his double, the Same or the Other. Constituted as outside of himself, he is thus constituted to conceive of an inside, and origin. Of this, Foucault says, “Western culture, the being of man and the being of language have never, at any time, been able to coexist and to articulate themselves one upon the other. their incompatibility has been one of the fundamental features of our thought (Foucault, 339).” And thus, there is a constant push and pull in modern thought as man tries to think his way through a concept of time that has, itself, constituted his thinking.
Foucault describes the philosophical consequences of modern thought thusly,
Calling to one another and answering throughout modern thought and throughout its history, we find a dialectical interplay and an ontology without metaphysics: for modern thought is one that moves no longer towards the ever-to-be-accomplished unveiling of the Same. Now, such an unveiling is not accomplished without the simultaneous appearance of the Double, and that hiatus, miniscule and yet invincible, which resides in the ‘and’ of retreat and return, of thought and the unthought, of the empirical and the transcendental, of what belongs to the order of positivity and what belongs to the order of foundations. Foucault, 340
And then he gets to the fun stuff: Nietzsche.
In this, Nietzsche, offering this future to us as both promise and task, marks the threshold beyond which contemporary philosophy can begin thinking again; and he will no doubt continue for a long while to dominate in advance. If the discovery of the Return is indeed the end of philosophy, then the end of man, for its part, is the return of the beginning of philosophy. It is no longer possible to think in our day other than in the void left by man’s disappearance. For this void does not create a deficiency; it does not constitute a lacuna that must be filled. It is nothing more, and nothing less, than the unfolding of a space in which is once more possible to think. Foucault, 342
Before he goes out on a pretty darned amazing bang, if you ask me:
To all those who still wish to talk about man, about his reign or his liberation, to all those who still ask themselves questions about what man is in his essence, to all those who wish to take him as their starting-point in their attempts to reach truth, to all those who, on the other hand, refer all their knowledge back to the truths of man himself, to all those who refuse to formalize without anthropologizing, who refuse to mythologize without demystifiying, who refuse to think without immediately thinking that it is man who is thinking, to all these warped and twisted forms of reflection we can answer only with a philosophical laugh – which means, to a certain extent, a silent one. Foucault, 342-43
Whoa. Right? Whoa. **swoon**
Last Chapter. Ready… go.
Chapter 10: The Human Sciences
Yeah, so this is kind of what I mean about how I got to the end of the book and felt like I maybe sort of could have skipped all that tricky representation footwork at the beginning and just gone straight to this sexy stuff at the end. Because at the end, he says stuff like this:
The epistemological field traversed by the human sciences was not laid down in advance: no philosophy, not political or moral option, no empirical science of any kind, no observation of the human body, no analysis of sensation, no imagination, or the passions, had ever encountered, in the seventeenth or eighteenth century, anything like man; for man did not exist (any more than life, or language, or labour); and the human sciences did not appear when, as a result of some pressing rationalism, some unresolved scientific problem, some practical concern, it was decided to include man (willy-nilly, and with a greater or lesser degree of success) among the objects of science – among which it has perhaps not been proved even yet that it is absolutely possible to class him; they appeared when man constituted himself in Western culture as both that which must be conceived of and that which is to be known. Foucault, 344-45
And that’s the twist for man and his double: man is that which has to do the knowing and is the thing to be known. Why Foucault waits to say it so clearly until the next chapter, I don’t know. Thus, the human sciences are,
are not, then, an analysis of what man is by nature; but rather, an analysis that extends from what man is in his positivity (living, speaking, labouring, being) to what enables this same being to know (or seek to know) what life is, in what the essence of labour and its laws consist, and in what way he is able to speak. The human sciences thus occupy the distance that separates though not without connecting them) biology, economics, and philology form that which gives them possibility in the very being of man (Foucault, 353).
Thus, Foucault argues, it can be understood why the categories of “the norm, the rule, and the system” (this part is a little bit about Freud, which is important, but is not something on which I focused in my notes, sorry) “can structure the entire field of the human sciences” and can “span it from end to end.” It is, “because they both hold apart and link together the empirical positivites of life, labour and language (on the basis of which man first detached himself historically as a form of possible knowledge) and the forms of finitude that characterize man’s mode of being (as he constituted himself when representation ceased to define the general space of knowledge (Foucault, 362).” Not only that, but “they also permit the dissociation, which is characteristic of all contemporary knowledge about man, of consciousness and representation (Foucault, 362).” And here, we get back to representation, because “representation is not simply an object for the human sciences” it is “the very field upon which the human sciences occur, and to their fullest extent (Foucault, 363).” Representation “is the general pedestal of that form of knowledge (Foucault, 363).”
And here is where Freud is important, because with psychoanalysis comes the concept of the unconscious, as such. Thus, Foucault argues, that “we shall say, therefore, that a ‘human science’ exists, not wherever man is in question, but wherever there is analysis – within the dimension proper to the unconscious – of norms, rules, and signifying totalities which unveil to consciousness of its forms and contents (Foucault, 364).” So how are we supposed to continue thinking about this trap in our thinking about ourselves thinking? Archaeologically, of course. To think of the “historicity proper to man” not as one that is inscribed in the very depths of his being, that enables him to adapt himself like any living being, and to evolve like any living being (though with the help of tools, techniques, and organization belonging to no other living being) that enables him to invent forms of production, to stabilize, prolong, or abridge the validity of economic laws by means of the consciousness he attains of them and by means of the institutions he constructs upon or around them, and that enables him to exercise upon language, with every word he speaks, a sort of constant interior pressure which makes it shift imperceptibly upon itself at any given moment in time (Foucault, 370).
But instead, to think in such a way that considers “the history of the positivities” in which “there appears another, more radical history, that of man himself – a history that now concerns man’s very being, since he now realizes that he not only ‘has history’ all around him, but is himself, in his own historicity, that by means of which a history of human life, a history of economics, and a history of languages are given their form (Foucault, 370).” It comes back to history here, because, well, because it’s Foucault, but also because,
even when they avoid all reference to history, the human sciences (and history may be included among them) never do anything but relate one cultural episode to another (that to which they apply themselves as their objects, and that in which their existence, their mode of being, their methods, and their concepts have their roots); and though they apply themselves to their own synchronology, they relate the cultural episode from which they emerged to itself (Foucault, 371).
Thus, because of the human sciences’ relationship to history, “man never appears in his positivity and that positivity is not immediately limited by the limitlessness of History (Foucault, 371).” Which is to say that, “by unveiling the unconscious as their fundamental object, the human sciences showed that there was always something still to be though in what had already been through on a manifest level; by revealing the law of time as the external boundary of the human sciences, History shows that everything that has been thought will be thought again by a thought that does not yet exist (Foucault, 372),” which is possibly my favorite line in the whole book.
Then we get back to literature (yay?). Literature (first with Surrealism, “then more, and more and more purely, with Kafka, Bataille, and Blanchot”) reveals a space “of unthinkable thought (Foucault, 383-84) and is produced by and productive of a “return of language (Foucault, 384).” This “return of language”
is not a sudden interruption in our culture; it is not the irruptive discovery of some long-buried evidence; it does not indicate a folding back of thought upon itself, in the movement by which it emancipates itself form all content, or narcissism occurring within a literature freeing itself at last form what it has to say in order to speak henceforth only about the fact that it is language stripped naked. It is, in fact, the strict unfolding of Western culture in accordance with the necessity it imposed upon itself at the beginning of the nineteenth century (Foucault, 384).
Thus, Foucault concludes, “since man was constituted at a time when language was doomed to dispersion, will he not be dispersed when language regains its unity (Foucault, 386)?” And with still more questions on the matter, he concludes the chapter:
Ought we not admit that, since language is here once more, man will return to that serene non-existence in which he was formerly maintained by the imperious unity of Discourse? Man had been a figure occurring between two modes of language; or, rather, he was constituted only when language, having been situated within representation and, as it were, dissolved in it, freed itself from that situation at the cost of its own fragmentation: man composed his own figure in the interstices of that fragmented language. Of course, these are not affirmations; they are at most questions to which it is not possible to reply; they must be left in suspense, where they pose themselves, only with the knowledge that the possibility of posing them may well open the way to a future thought (Foucault, 386).
Conclusion
After all that, Foucault doesn’t really have a whole lot more to say in conclusion. He tells us that, “one thing in any case is certain: man is neither the oldest nor the most constant problem that has been posed for human knowledge (Foucault, 386)” and then sort of goes ahead and summarizes the whole thing and offers some thoughts on where he sees it all going. I’ll quote in full:
Taking a relatively short chronological sample within a restricted geographical area – European culture since the sixteenth century – one can be certain that man is a recent invention within it. It is not around him and his secrets that knowledge prowled for so long in the darkness. In fact, among all the mutations that have affected the knowledge of things an their order, the knowledge of identities, differences, characters, equivalences, words – in short, in the midst of all the episodes of that profound history of the Same – only one, that which began a century and a half ago and is now perhaps drawing to a close, has made it possible for the figure of man to appear. And that appearance was not the liberation of an old anxiety, and the transition into luminous consciousness of an age-old concern, the entry into objectivity of something that had long remained trapped within beliefs and philosophies: it was the effect of a change in the fundamental arrangements of knowledge. As the archaeology of our thought easily shows, man is an invention of recent date. And one perhaps nearing its end.
If those arrangements were to disappear as they appeared, if some event of which we can at the moment do no more than sense the possibility – without knowing either what its form will be or what it promises –were to cause them to crumble, as the ground of Classical though did, at the end of the eighteenth century, then one can certainly wager that man would be erased, like a face drawn in sand at the edge of the sea. Foucault, 386-87
So how about that? Man” is just an “effect” of a change in how we order things, how we relate mots with choses and it could all change again… Pretty neat, right? Exciting times in which to… study religion.